Eye of the Beholder III: Assault on Myth Drannor is a first-person, real-time AD&D dungeon crawler for DOS and related PCs that concludes the Eye of the Beholder trilogy, sending your veteran party from the Darkmoon victory into the ruined elven city of Myth Drannor. Hired in a tavern by a mysterious patron, you’re teleported to the city’s outskirts and tasked with wresting the artifact Codex from the lich Acwellan and ultimately confronting an even darker god behind the scenes. Gameplay sticks closely to the earlier games—tile-based movement, a six-character party, Dungeon Master–style real-time combat and puzzles—but with an updated AESOP engine that adds things like an “All Attack” button and the ability for second-rank characters to fight with polearms. You work through forest approaches, mausoleums, guilds, temples, and city ruins, mapping as you go and battling tougher high-level monsters, though most retrospectives note that despite some new features it’s generally considered the weakest, shortest, and least atmospheric entry in the trilogy.

Eye of the Beholder III: Assault on Myth Drannor is a first-person, real-time AD&D dungeon crawler for DOS and related PCs that concludes the Eye of the Beholder trilogy, sending your veteran party from the Darkmoon victory into the ruined elven city of Myth Drannor. Hired in a tavern by a mysterious patron, you’re teleported to the city’s outskirts and tasked with wresting the artifact Codex from the lich Acwellan and ultimately confronting an even darker god behind the scenes. Gameplay sticks closely to the earlier games—tile-based movement, a six-character party, Dungeon Master–style real-time combat and puzzles—but with an updated AESOP engine that adds things like an “All Attack” button and the ability for second-rank characters to fight with polearms. You work through forest approaches, mausoleums, guilds, temples, and city ruins, mapping as you go and battling tougher high-level monsters, though most retrospectives note that despite some new features it’s generally considered the weakest, shortest, and least atmospheric entry in the trilogy.

As one of the many sons of Zeus the All-Father, you demand your rightful place among the gods on Mount Olympus. But Zeus isn’t about to give you your inheritance just for the asking. You must prove your worthiness by defeating the 32 divine opponents who rule the 1000 worlds of Populous II.

Their Finest Hour: The Battle of Britain is a World War II air combat simulation that recreates the duel between the German Luftwaffe and British Royal Air Force waged in the skies above Britain from July to September 1940. When you play Their Finest Hour, you can fly for either the offensive-minded Germans or the defensive-minded British, and you can choose from a variety of Luftwaffe fighters, dive bombers, and medium bombers, or Royal Air Force (RAF) fighters. If you’re a British pilot, you’re defending your home country from an onslaught of Luft-waffe bomber and fighter attacks. If you’re a German pilot or crew member, you're trying to knock the RAF out of the air, as well as bomb land and sea targets, so that Operation Sea Lion — the invasion of England — can commence. Whichever side you choose — and we encourage you to play both — you'll experience a highly detailed, historically accurate recreation of those events from the summer of 1940, when the fate of the world was literally up in the air.

Zork I: The Great Underground Empire on the Commodore 64 is Infocom’s legendary text adventure where you explore a vast, witty, and surprisingly dangerous underground world filled with treasures, puzzles, and iconic threats like the thief and the grue. Using a rich text parser, you navigate twisting locations, solve logic and inventory challenges, and slowly map out the empire’s secrets in a game that helped define interactive fiction for decades.